8 edition of Principles of art history found in the catalog.
Principles of art history
Heinrich WoМ€lfflin
Published
1940
by Dover Publications in [New York]
.
Written in English
Edition Notes
Statement | Translated by M. D. Hottinger. |
Classifications | |
---|---|
LC Classifications | N5300 .W82 |
The Physical Object | |
Pagination | xvi, 237 p. |
Number of Pages | 237 |
ID Numbers | |
Open Library | OL6066753M |
LC Control Number | 50004154 |
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Principles of Art History: The Problem of the Development of Style in Later Art Paperback – June 1, by Heinrich Wölfflin (Author) out of 5 stars 13 ratings.
See all 15 formats and editions Hide other formats and editions. Price New from Cited by: Heinrich Wölfflin was a Swiss art historian, whose objective classifying principles ("painterly" vs. "linear" and the like) were influential in the development of formal analysis in art history in the early 20th century.
He taught at Basel, Berlin and Munich in the generation that raised German art history to pre-eminence/5. 图书Principles of Art History 介绍、书评、论坛及推荐. 1 有用 Bonbon Wölfflin shows that modern art (since Baroque) is not a degraded development from classic and Renaissance but an alternative one, so that it deserves to be seen with a refreshed view.9/10(35).
Principles of Art History by Heinrich Wölfflin (–), a revolutionary attempt to construct a science of art through the study of the development of style, has been a foundational work of formalist art history since it was first published in At once systematic and subjective, and remarkable for its compelling descriptions of works of art, Wölfflin’s text has endured as an 5/5(2).
Principles of Art History by Heinrich Wölfflin (–), a revolutionary attempt to construct a science of art through the study of the development of style, has been a foundational work of formalist art history since it was first published in This book features a crystalline new translation of one of art history's most influential works-published on its one-hundredth anniversary.
Principles of Art History by Heinrich Wolfflin (), a revolutionary attempt to construct a science of art through the study of the development of style, has been a foundational work of formalist art history since it was first published in /5(1).